We completed up our year long project “The Grid” with a soundscape totally comprised of recordings related to London created by Annie Morrad. Broadcast on Wave Farm This brings to a close the work we embarked upon for Project Anywhere.
Image: Annie Morrad (London)
This recording is taken from a year long exploration into the underbelly of a city. The intention was to investigate intriguing aspects of the city through journeys interspersed with chat. This focuses on the minutia and moments that happen whilst on the move including falling in love with strangers, tripping over unseen crisp packets, being shadowed by your own shadow, and popping into new venues. The voices heard are from Craig Clayton, Chila Kumari Burman, Mike Summer and Josie Monro and the general background London voices. The people interviewed represent the fabric of the city interwoven into the day to day adventure that makes up London.
More information about Project Anywhere can be found here: projectanywhere.net
December’s Itinerant Mind
is titled “Resounding Chonging”
the most participatory work we have done to date to the extent that Annie and Ian don’t actually play on this month’s program which follows the format of the Resounding Beijing
workshop we conducted in 2016.
The broadcast offers insights into the sonic landscape of Chongqing, China’s hidden megacity through the outcomes of a sound mapping workshop conducted as part of mad.lab, a unique intensive studio that utilises mapping as a research methodology to create urban narratives through experimentation, observation, story-telling, journeys, film, and audio-visual recordings.
Located in remote South West China the city is a radically transforming urban environment that is constantly being remade anew at a frenetic and challenging pace.
The image is a detail of a soundmap by UNSW Art & Design student WanYi Lao.
Field recordings by thirty-three young media artists and designers working across a range of disciplines and practices including but not limited to sound art, installation, interaction design, sculpture, photography and graphic design are presented here as one of the three final installments of the Project Anywhere
program we have pursued throughout 2018.
All the recordings in the mix, except the introductory and final compositions by Niko Plaskas
, were recorded at, or en-route, to fourteen locations across Chongqing on December 3 2018. Soundmaps were drawn at each location and an interactive sound map has been developed by Luke Hespanhol
and exhibited recently at Sichuan Fine Arts Institute (SFAI).
A Weixin article (in Chinese) published by SFAI can be accessed here.
Participants and (locations) included:
Luhan Lin, Siqi Liu (Daping), Grace Chaplin, Joan Shin (Fotuguan), WanYi Doris Lao, Angela Xinyi Zhou (Eling), Jang-un Lee, Peier Yu (Shapingba), Yuxin Huang, Manxiu Lyu, Leidan Zhu (Hongqihegou), April Xinyuan Chen, Wendy Yuandi Cao (Huanxin), Kathy Veloso, Monika Murata (Liziba), Zhipeng Xie, Xiezhi Peng,
Yinni Hou, Xiaoran Xu, DeVanté Carpenter (Longtoushi), Jasmine Hall, Rabeea Soomro, Jingwen Ou, Kang Xue (Xiaoshiza), Ming Zhu, Yiqiu Zhou (Zhengjiayuanzi), Nicholas Glascott, Niko Plaskas (Wulidan), Moe Qashlan, Annalise Ifield, Erin Peixuan Mao (South Square), Mika Yuncong Liu, Yanting Zhan, Danni Fu (Yuanjaigang)
mad.lab’s project partners include: UNSW Art & Design, Design Lab (University of Sydney), Priestman Architects (Chongqing), CQubed (Chongqing), Sichuan Fine Arts Institute, DFAT (New Colombo Plan), Dimensions Art Centre (Chongqing).