Reclaimed is a mixtape of earlier Morrad+McArthur material on Soundcloud. It collects in a new mix, material from our first album and a selection of longer ambient and field recording based tracks as well as a few more recent tracks that don’t appear on our albums.
The November, December, and the upcoming January 2019 broadcasts of Itinerant Mind are completely devoted to concluding our work on The Grid for Project Anywhere. We will post about and discuss each program separately beginning here.
The urban focus of The Grid has been centred on three very different urban conurbations London, Sydney and Chongqing while the outcomes of the project have been broadcast on Wave Farm WGXC 90.7 FM in New York. Each of these three final Project Anywhere broadcast’s has one of these cities as its sonic focus
November’s iteration of Itinerant Mind begins the triology with Sydney and the proposed emphasis on the drone as a sonic form.
In our collection collecting and broadcasting of material for the Project Anywhere work “The Grid” we have for the most part kept the material separate in that it has not been mixed in any way – just played as raw data, drones, field recordings, conversations and improvisations.
As this project draws to a close, the November broadcast “Project Anywhere (DroneMix)” marked the first of several where our Project Anywhere content taken from the cities and streets of Sydney, Chongqing and London is coalesced into a whole work in itself. Although you will hear material from all three sites throughout the emphasis in this mix is the drone – the Sydney component of The Grid project.
For more info on this project visit: https://www.projectanywhere.net/the-grid/
This mix of the Morrad+McArthur composition “Restless“ was recorded live over the internet and aired on Wave Farm radio Saturday April 18 2018. The video was cut for our contribution to a symposium of artistic process and practice at Bath Spa University. The symposium is staged simultaneously with the exhibition Documents, Alternatives (#3) at BSAD gallery at Bath Spa University, which is open to the public 20th April – 1st May 2018. The exhibition and symposium are part of the Alternative Document, a project by Dr. Angela Bartram, Associate Professor and Head of Arts Research, at University of Derby.
There are several versions of this recorded now…this is probably the most civilised. Sax (London), drones and guitar (Sydney), streetnoise (Chongqing).
The significance of this research is its’ contribution to knowledge about distributed, networked, and participative performance practice and the positive deployment of interruptive processes that examine and exploit its virtues to expose productive insights that go beyond abstract theorisation (Campbell, 2016).
The applied practice-led nature of this research reveals the relevance of the networked sonic realm to a wider interdisciplinary context where our respective and different creative practices reveal trajectories that link public art, experimental radio, architecture, urban mapping, digital design, and visual art.
Reference: Campbell, L. (2016). Lee Campbell’s Tactics of Interruption
6×10 was released August 3, 2017 on Bandcamp.
Annie Morrad (London): saxophones and field recordings
Ian McArthur (Sydney): electronics, guitars, piano, and field recordings