Annie Morrad will be performing a live improvisation at the upcoming Documents, Alternatives Symposium at Bath School of Art and Design on Fri, April 20, 2018. Annie will be accompanied by a video by Ian McArthur. This is a prelude to our work “A Lack of Chairs” which is featured in the Documents, Alternatives exhibition at B-Side Gallery (Bath Spa University): 20 April-11 May 2018.
‘Documents, Alternatives (#3)’ is an exhibition that includes time-based works that rely on performative process and created experience, which aims to resolve this issue by making the document and artwork reflexive.
Documents, Alternatives is curated by Angela Bartram and develops the curatorial concerns initiated within The Alternative Document, 2016, an exhibition and symposium staged at ProjectSpacePlus, Lincoln, 2015. Documents, Alternatives has been unfolding over a series of exhibitions and symposia at Airspace Gallery (Stoke on Trent): 17 November – 16 December 2017; Verge Gallery, Sydney, 18 January – 24 February); B-Side Gallery (Bath Spa University): 20 April – 11 May 2018; ONCA Gallery (Brighton) as part of Brighton Digital Festival: 21 September – 8 October 2018.
The documentation of ephemeral artwork, works made to be transient, changeable and un-fixed, is often problematic for the intent and premise of creation as it aligns itself with a particular moment, place and viewpoint in time. Lens-based methods are mostly relied upon to communicate actuality and happening and to fix the un-fixed memory of the artwork, and this is part of that problem. Effectively, this type of documentary device works in opposition to the concept of the artwork, cementing into a fragmentary history when all it wants is to be fleeting in its temporality. The lens-made recording tends to generalise vision and, by extension, it does not fully communicate the experience of ‘being there’ and present. This is problematic for artwork whose very premise is to be transient and time-based, and for which direct experience is a priority.
‘Documents, Alternatives (#3)’ is an exhibition that includes time-based works that rely on performative process and created experience, which aims to resolve this issue by making the document and artwork reflexive. In doing this it acknowledges their need for change so that they remain continuous and in process through staging a practical and thought provoking visual discussion. The symposium accompanies this exhibition at BSAD, and acts in response to process with artistic practice and the experience of the artwork. It situates a series of opportunities for the experience of process through a structure of colloquialism adjacent to the exhibition, to open the nature of artistic process to critical debate. To enable a dialogue about process (as that exhibited and that discussed) informed by both academic and creative domains, symposium speakers are the artists with work in the accompanying exhibition.
The opening of the exhibition follows the symposium, to which delegates are warmly invited.